人物的“求和”&“求变”心理

人物的这两点特性是故事发展的重要内因。

【转载】The Screenwriter's Simple Guide to Formatting Television Scripts

With television, you're creating a world with a cast of characters that will hopefully continue on for upwards of 10-24 episodes (give or take) for multiple seasons, thus the main story will not be resolved by the end of each teleplay or television script. You have the options of hour long dramas or serials, hour long procedurals, half hour sitcoms, and in some cases, either limited series (American Horror Story) or miniseries. While each episode may showcase a certain story that is resolved by the end, the characters, their main stories, and their arcs continue on throughout each season.
In short, a television series is an ever-evolving medium for the story and characters while a film stands alone on its own with complete closure by the end.

【转载】Breaking Bad: Vince Gilligan On Meth And Morals

Breaking Bad was created by Vince Gilligan, who previously worked as a producer and writer on The X-Files. In September 2011 Gilligan was interviewed on the NPR programme Fresh Air by Terry Gross who asked him where the idea for the critically acclaimed show came from, how he came to write convincingly about chemistry and the drug trade, and the direction of the final season.

当一个“喷子”是什么体验?

有人反对你,才能让你保持冷静,才能让你有机会独立的思考。

编剧的自我修养(四)

我倡导的“方法论”指的是不断实践过后的总结分享。而我反对的“方法论”是指还没实践就匆匆找个“模板”往自己身上套。

诗歌:Faint Heart In Railway Train / Hardy / 徐志摩 译

这首诗看到第一眼我就非常喜欢,不过相比原诗而言,这首诗还是带有一些徐志摩的风格,对原诗歌的结构也有一些调整,比如第一节,你可能读的时候会在想,前面一大段景物描写是什么意义呢?

其实读过原诗就很容易理解作者当时想表达的情绪,在于,这是一场偶遇,下面就是英文版,非常容易理解,所有的语言都非常简洁,即使你是小学生的英文水平,都能看懂。

【剧本格式整理】程序设计原理

声明:本程序是自由程序,受GPL协议保护,您可以修改代码,但是必须保证遵守GPL协议,免费提供修改后的源代码

剧本创作前的故事梗概具体是做什么的?

故事梗概并非创作的必要步骤,更主要是一个沟通的工具。我们写故事梗概的目的,无非就是希望让合作方对项目有个大概的判断,同时作为一个故事吸引对方的注意力。

编剧的自我修养(三)

最大的问题,在于你的故事中,除了主角是真正的人,其他人物都不是人,他们太过于道具化。主角需要钱了,于是出来一个土豪给他送钱,主角缺人了,一帮学生冲过来免费做义工,主角需要家庭支持,一个儿子又冒了出来。

致演员

现在行业的乱象,不是一两个小鲜肉、小鲜花造成的,这是我们社会的缩影,换句话说,这是我们所有人造成的。

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